When was the Merode Altarpiece painted?

When was the Merode Altarpiece painted?

1427–1428
Mérode Altarpiece/Created

Who mostly likely painted the Merode Altarpiece?

Today’s painting of the week is the Merode Altarpiece by the workshop of Robert Campin, c. 1427-32. This work is a triptych (three-panel painting) depicting the Annunciation, Saint Joseph, and two donors.

Who is depicted in Merode Altarpiece?

Taking its name from the aristocratic Merode family of Belgium who owned it during the nineteenth century, this masterpiece of Christian art from the early Northern Renaissance consists of three panel paintings, and depicts the moment when the archangel Gabriel announces to the Virgin Mary that she has been chosen by …

Who is the donor in Merode Altarpiece?

The donors are identifiable as bourgeoisie from nearby Mechelen, and are documented in Tournai in 1427, identifiable from the coat of arms in the stained glass window of the central panel.

Why was the Merode Altarpiece painted?

In any event, the work seems to have been a pious request for a family, commissioned to celebrate a forthcoming marriage. The Merode Altarpiece remains one of Campin’s best-known religious paintings, and is ranked amongst the greatest Renaissance paintings of Northern Europe.

Where was Merode Altarpiece painted?

New York City
The Mérode Altarpiece (or Annunciation Triptych) is an oil on oak panel triptych, now in The Cloisters, in New York City. It is unsigned and undated, but attributed to Early Netherlandish painter Robert Campin and an assistant.

Who are the donors in the Merode altarpiece?

The donors are identifiable as bourgeoisie from nearby Mechelen, and are documented in Tournai in 1427, identifiable from the coat of arms in the stained glass window of the central panel. It is assumed that this panel was a later commission to Campin’s workshop, not part of the original single panel design.

What is a painting with three panels called?

A painted or carved triptych typically has three hinged panels, and the two outer panels can be folded in towards the central one. A literary or musical triptych generally consists of three closely related or contrasting themes or parts.

Who became court painter to Henry VIII?

Hans Holbein
Court Painter to England’s Henry VIII. Hans Holbein was born in 1497 in the German city of Augsburg close to the Bavarian border. He was the son of the artist Hans Holbein the Elder and studied under his father before going to Basle with his brother Ambrosius as an apprentice to the painter Hans Herbst.

What is an altarpiece in art?

altarpiece, work of art that decorates the space above and behind the altar in a Christian church. Painting, relief, and sculpture in the round have all been used in altarpieces, either alone or in combination. These artworks usually depict holy personages, saints, and biblical subjects.

Was Hans Holbein a court painter?

Court Painter to England’s Henry VIII. Hans Holbein was born in 1497 in the German city of Augsburg close to the Bavarian border. Holbein’s fame is forever linked to the English court of King Henry VIII. …

What kind of painting is the Merode Altarpiece?

Interpretation of Merode Altarpiece. The fifteenth century Flemish oil painting known as the Merode Altarpiece (c.1425), is a domestic altarpiece painted by the Flemish artist Robert Campin (1378-1444), also known as the Master of Flemalle.

What is Robert Campin’s Merode Altarpiece?

Robert Campin, Master of Flemalle The Merode Altarpieceremains one of Campin’s best-known religious paintings, and is ranked amongst the greatest Renaissance paintingsof Northern Europe.

Who painted the Ghent Altarpiece in 1432?

It seems to have been completed the same year as the Ghent Altarpiece, in 1432, making the painter a contemporary of Jan van Eyck. It is usually accepted as belonging to a group of paintings associated with the Master of Flémalle, assumed to be Robert Campin.

Who painted the Annunciation in the Netherlands?

It is unsigned and undated, but attributed to the workshop of the Early Netherlandish painter Robert Campin, The three panels represent, from left to right, the donors kneeling in prayer in a garden, the moment of the Annunciation to Mary, which is set in a contemporary, domestic setting, and Saint Joseph, a carpenter with the tools of his trade.